The abandoned circular mansion, the Khanjian Villa

Constructed in 1936 for Aghasi Khanjian, a prominent political figure, the Khanjian Villa now languishes in decay. Khanjian, who served as the first secretary of the Communist Party of Armenia for six years, was a revered figure in the nation.

Dilijan, celebrated for its mild climate and lush forest scenery, has long been a coveted resort destination in Armenia. Captivated by its natural beauty, Aghasi Khanjian selected this picturesque spot to build his summer retreat in 1936. The villa, crafted in the distinctive early 20th-century Armenian modernist style, stands as a testament to the enduring allure of the area.

Tragically, the same year the villa finished, Khanjian died under mysterious circumstances during an interrogation. Many suspect that Lavrenti Beria, a prominent Georgian party leader, orchestrated Khanjian’s death out of concern for his own political power. The specifics surrounding Khanjian’s demise remain ambiguous, cloaked in speculation and intrigue.

Restauration

Recently, efforts have begun to restore the monument, with licensed Armenian architects collaborating with European experts. “Expert groups are currently investigating the reasons behind the building’s partial collapse over the past decade. This critical analysis will inform the implementation of more effective restoration techniques,” says Davit Nahatakyan, the project’s chief architect.

The renovation research for the Khanjian Villa is currently in progress. David Nahatakyan, the project’s architect, is collaborating with an international team of experts in thorough investigations around the resort area. This phase aims to conclude by autumn, at which point the fate of this architectural monument wiil be decisively determined.

Various activities for the summerhouse are under consideration, such as immersive theater and a multimedia museum. The ultimate decision will involve esteemed Armenian public figures, ensuring that the villa’s future respects both historical preservation and contemporary cultural aspirations.

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